Natural Amber, mini jumbo cutaway body with highly flamed maple body and unique star inlays. The inlays are easy to read on a dark stage. It’s a rather gorgeous finish with lots of figuring in the wood. All solid woods,...
Previously owned by Hollywood film star Peter Fonda. This guitar has had a neck reset and a refret (you’re welcome), done by Gruhn Guitars in Nashville. Peter Fonda, who passed away in 2019, was twice nominated for an...
Blackface, pre-CBS “Fender Electric” non-reverb variant. AB763 on the tube chart with “ND” date code stamp indicating a manufacture date of April 1964. The 12” Jensen speaker dates to the third week of 1966 and is not...
Cherry Sunburst, these are rather rare with factory original pickups and they have a nice vibe. Has a two piece maple top over a mahogany body and unlike most Les Paul Studios has a see through finish so you can see the...
Cherry Sunburst with a beautiful flame maple top. This was converted to nickel parts and has a set of Seymour Duncan Slash pickups. Also has a repaired headstock. These are Alnico II pickups with a hotter wind. They are...
Tweed, 5 watts, 8" speaker, looks reconed, new power cord, tube chart reads Jan. '62. More soon.
Tweed, 5 watts, super clean, 6” speaker, all original, Tube chart GG July ’57, everybody needs one of these diminutive giants in their collection.
Silver Metal Flake, a very hard finish to do. Looks to be a Fender neck with a slab rosewood fretboard and C neck profile. Has a Bigsby tremolo too. The neck pickup is an SCN Noiseless Tele pickup, the bridge pickup is...
Natural, Cutaway Grand Auditorium body, sounds great and in good shape too. Sitka Spruce top, East Indian Rosewood back and sides, ebony fingerboard with Element motif MOP inlays, 1 3/4” at the nut, V Class bracing,...
While each bass player’s ideal tone of choice is as unique as their fingerprint, the quest to capture it is universally difficult and rarely obtained. The Bergantino Super Pre is the solution to this problem. Amazingly...
Natural, Wow! A real show-stopper that sounds as great as it looks. Features include: 24.9” scale,12 frets to the body, slotted headstock, Adirondack Spruce top with Abalone Pearl trim, East Indian rosewood back and...
Aged nitrocellulose lacquer in warm and lovely Faded Cherry, which must be seen to be believed. The I-35 LC Vintage builds on the laminated-maple I-35 LC with features and construction designed to really capture the...
Natural, hard to find left handed model! 14-fret 00-size guitar, X-braced solid Sitka spruce top torrefied for maximum projection by Martin’s VTS technique, solid Indian Rosewood back and sides, 24.9″ scale length, 1...
Sunburst with a replacement top of old flamed maple. It’s refinished of course but with original aniline dye as used in late 50’s Les Pauls. You can see it around the edges of the top. We first saw this guitar about 25...
Natural, who doesn’t love a triple O made in the original Martin factory? Has a Sitka Spruce top, Brazilian Rosewood fingerboard and has been freshly refretted (you’re welcome). Also sports a recent neck reset. This 000...
Sunburst, VG+, neck and pots both dated 1971. A very resonant and long sustaining bass from the four bolt neck era. A nice rounded neck. We love Strat and Jazz bass necks from this era. The pickups are made by Ted Vig...
Midnight Blue, a rather hard to find 335 variant. Imagine if someone at Gibson played in a punk rock band and designed a 335. Who needs F holes? Still has a semi-hollow laminate maple body but black binding and black...
Makena Blue, unbound rosewood fretboard with abalone bird inlays, wide/fat neck profile, ‘57/’08 treble and bass pickups, single volume and tone control, 5 way pickup selector, beautiful finish, shows some light playing...
Natural, a timeless classic and always Willie’s favorite. Spruce top, mahogany back and sides, unbound ebony fingerboard with style 18 dot inlays, 1 3/4” at nut, modified low oval profile with performing artist taper,...
Natural, what an incredible sounding Dreadnaught! Huge tone, as close as you can get to a pre-war D-28 in sound, looks and feel. The aging is subtle and tasteful. Other features include hide glue construction,...
Natural, Sitka Spruce top with bold herringbone trim, Indian Rosewood back and sides, unbound ebony fingerboard with abalone diamond and square inlays, 1 3/4” nut width, modified low oval neck profile with...
Natural, a timeless classic and always Willie’s favorite. Spruce top, mahogany back and sides, unbound ebony fingerboard with style 18 dot inlays, 1 ¾” at nut, modified low oval profile with performing artist taper,...
Natural, solid mahogany top back and sides, rosewood fingerboard with abalone diamond and square short pattern inlays, 1 11/16” at nut, modified low oval neck profile, non scalloped 5/16” top bracing, nickel open back...
Natural, in excellent condition, with original electronics and staggered pole pickups. We bought this from the original owner who was very proud of it. It needed frets. Have you every refretted a 70’s maple board strat?...
Natural, we are told this was made by a builder in Canada. Whoever made this had great skill. We are told the original owner remembers it having been patterned after a 1964 and the wood used was from a Canadian...
Natural, Brazilian Rosewood back and sides, sent through our shop for a neck set and all open cracks repaired. There are many cracks on the back. Let’s count them. Ok, done, there are 9 cracks on the back, now repaired....
1935 Sunburst, a stunning new custom shop creation whose fantastic tone is matched only by its great looks. Let’s start with an Adirondack Spruce top on a 1935 Sunburst finish with eye popping abalone pearl trim. The...
Natural, 1963 might be the neck as its rounded and medium big with no V. It’s kind of the Goldilocks neck. Gibson made the Southern Jumbo in Sunburst but for about 10% more you got the same guitar with more choice woods...
1987 Gibson L-4CES Natural, Solid Spruce top, these are rather rare but we remember selling this 5 years ago. Even then they were hard to find. An excellent choice for jazz or blues with the exact dimensions and scale...
Model 6G8A per the tube chart. A legendary Fender amp for a rich tube tone with fidelity rarely found in today’s amps. This era of Fender has 6 preamp tubes for pitch-changing vibrato, a feature gone by 1963 as this...