Here's a killer sounding, great playing, banner Logo, mahogany J-45. The guitar is in great condition and ready to play. Original finish, no breaks or major cracks... just some minor hairlines that have been...
Here's a killer sounding, great playing, banner Logo, mahogany J-45. The guitar is in great condition and ready to play. Original finish, no breaks or major cracks... just some minor hairlines that have been...
This gold-plated banjo is very rare. Gus Cannon played a Gretsch 5-string, but of much lower quality. This instrument has a unique tone chamber with holes through the rim and an arch top tone ring. It is an near-mint...
The Gibson Style R Harp Guitar, with its natural finish and deluxe appointments, was their first such instrument, only listed in the 1902 catalog. The Style Rs are distinguished by their glued-on pin bridges with an...
The ukulele-banjo, or UB, was one of the most popular banjo-family instruments produced by Gibson. While the vast majority of these instruments were lower-priced models, Gibson did produce some higher-end UBs. This UB-4...
Produced between 1934 and 1939, the F-7 is a short-necked version of Gibson’s top model, the F-5. This is the model Bill Monroe famously used on his first recordings with his brother Charlie, as the Monroe Brothers, and...
All Mahogany Martin 00-17 Guitar (used, 1934) Mahogany back & sides Mahogany top Rosewood headstock faceplate with gold, Martin Script logo Ebony nut Open geared Grover tuning machines Rosewood fretboard with double...
This Martin 00-17 was made in the USA in 1946. The guitar shows normal play wear but there is no major structural damage, and overall it is in very nice shape for its age. The finish is original. It has been refretted...
An early Wm. G. Stahl model built by the Larson Bros. of Chicago, dating to around 1910. There is no serial number, but the historic “Z” top bracing and trim details clearly place it in this period. The appointments...
The Martin D-28 is widely regarded as the most iconic acoustic guitar in the world, trusted by generations of players and played by countless legends across genres. Its Dreadnought body size and scalloped bracing...
The Custom Shop 000-28 1937 gives players the sonic superiority of Martin’s Authentic Series paired with the everyday reliability of a true workhorse guitar. Regarded as the cornerstone of performance, Martin’s highly...
Freshly inspected and set up in-house by our esteemed Guitar Tech. In Excellent Vintage condition with modest signs of wear for an instrument of this age. This 75-year old instrument is one of the most strikingly...
Selmer Orchestre Petite Bouche #403 from 1934, in excellent preserved and playable condition. The early 1930s saw the explosion of jazz orchestras, and with it an ever-increasing demand for guitars capable of competing...
Gibson F-12 #A2985
Decent size circa 1925 guitar with a 14 inch lower bout (bout what?) and a 25 inch scale length. This is a great sounding loud and clear guitar that will fill the room with musical tonality! Restoration on this guitar...
The Martin OM-28 is one of the most iconic models in Martin’s lineup, trusted by generations of players for its balanced tone, timeless style, and unmatched versatility. Its Auditorium body size delivers resonance...
PRICE : (JPY) 2,970,000yen CONDITION : EX++ TOP : Spruce SIDE BACK : Brazilian Rosewood FINGER BOARD : Ebony BRIDGE : Ebony NUT WIDTH : 42.5 mm BRACING : Original Non-Scalloped X-Bracing PICKGUARD : Non-Original SCALE :...
This vintage Martin 1941 D-28 would be described a high-grade player, primarily due to the repaired circular disk on the bass lower bout and as a result a refinished top. The disc covers a very shallow divit where an...
Circa 1931 Regal 3624 in very good condition. This Regal has had a professional neck reset. This 3624 was constructed with a spruce top, mahogany back and sides, a mahogany neck with a dyed wooden fingerboard, and an...
This Gibson L-1 was made in the USA in 1918. Given its advanced age it is in very nice overall condition. There are a few crack repairs, but no major damage. The finish is original, as are most of the parts, but the...
1929 Martin 00-18 in very good condition. This Martin is all original and has had a professional neck reset. This 00-28 was constructed with a spruce top, mahogany back and sides, a mahogany neck with an ebony...
SN: 108589. A wonderful-sounding—and equally wonderful-playing—post-war example of Martin’s “other” Brazilian rosewood auditorium-sized guitar, the 000-21. Sharing the same tonewoods and core construction as the 000-28,...
Natural, refinished long ago. Has had a recent neck reset. These have become very sought after guitars. They are 14 3/4” wide, 25” scale and a single layer of binding on the top. Honestly we’re guessing the date on...
At first glance, this may look like every other Gibson L-5 you’ve seen, but look again! This 1935 example features a custom-ordered round soundhole, rather than the model’s typical dual f-holes on the lower...
The following specs were carefully collected and recorded by a skilled technician. For a more detailed description and questions regarding sound, feel, or cosmetic condition, please call to speak to one of our...
1924 Martin 00-28 in excellent condition. This guitar had a professional neck reset and has a replaced saddle. All work was done in house by Tom Crandall. There are some small, faint indentations just below the bridge...
1947 Martin 000-28 Shade Top Sunburst
1937 Martin 00-18 in very good condition. This guitar has a replaced ebony fingerboard, has been refretted, has had a neck reset, the original bridge has been shimmed, the bridge plate has been replaced ( with the...
Here we have a very nice vintage Vega C-86 acoustic archtop guitar! This Advanced Model is from 1940 and in very good condition overall. It features a carved spruce top, figured maple back & sides, 5-piece mahogany...
Tenor Uke, All-Mahogany with Br. Rosewood Bridge. Absolutely immaculate, original hard case. Nicest One.
1935 Martin C-1 Converted to an OM-18 by Leo Posch in excellent condition. This guitar was converted from its original archtop form to a flat top guitar by Leo Posch, who also made a new, long scale, 30’s Martin style...