In factory Cherry finish, faded on the front to a more walnut shade. Good condition overall, professionally repaired headstock crack, one changed tuner, otherwise all-original including “tarback” humbuckers, “harmonica...
Blackface, EX, with original color operator’s guide (manual) and original schematic. AB763 circuit per the tube chart, QC date code indicating March of ’67. This has a Fender-labeled 12” Oxford speaker dated the 12th...
Guitar amp with tremolo, made for Montgomery Ward. VG+. Fully serviced (about $100.00 worth of work done.) All stock with 12” alnico speaker, two channels, 2x6V6 power tubes. Service: Tested all tubes, replaced tremolo...
Very rare full body factory original Sunburst finish. That’s right top, back, sides and neck are all “bursted”. The 17 series has a long history at Martin. Even today It’s a popular model but goes back to the Civil War...
Sunburst, honestly one of the better sounding J-160E’s we’ve had. These were designed as stage guitars with an adjustable P-90 pickup and one volume and tone control that is easy to see and reach. They are also ladder...
10 string, pedal steel. Maple body in a faded Cherry stain transparent finish. Made in Nashville with three pedals and one knee lever. The perfect guitar to start your pedal steel journey. In great condition with the...
Natural, when Eric Clapton released his “Unplugged” album in 1992 the world of acoustic guitars changed. Martin guitar sales had been in a slump. Think of the music of the day; Guns and Roses, Pearl Jam and Nirvana and...
Designed in collaboration with Jeff Tweedy of Wilco and our old friend and former Willie’s luthier John “Woody” Woodland utilizing FSCA certified woods. This one used with some playing scratches on the top and back but...
One of history’s finest-sounding amps. Black levant, small logo, label dated May 23, 1969, currently equipped with a pair of excellent “Winged C” EL34s. Caveat - the mains transformer appears to have been changed. The...
Natural, Centennial Edition celebrates the 100th anniversary of the mighty dreadnaught guitar. Features: Sitka Spruce top, great looking three piece Indian Rosewood back, bound ebony fingerboard with dot inlays, 1 3/4”...
Professionally re-covered in blonde tolex but with a raised logo for that cool transitional look, wheat grille cloth, intact and functional tilt-back legs and thumb screws. Original or at least period-correct Fender...
1x15” combo in Random Navy Flair tolex (that’s really what it’s called.) In good condition with the original footswitch, loaded with its original Jensen speaker. 2x6L6 power tubes, 3x6SL7 preamp, 5U4 rectifier. Six...
Sunburst, Guild’s answer to the heavy new Les Paul by Gibson and before the Gretsch Duo Jet as a semi solid guitar with no F holes. Spruce top, fine old growth Honduran Mahogany back and sides. Three piece neck with...
Pre-CBS white knob-era blackface all-tube reverb. Has accessory AC outlet (Fender thought of everything for the musician back then!) The cables leading from tank to chassis look newer but the tank itself looks original....
High-quality wheeled road case, internal dimensions are 16.5”x17.5”x9”/420x445x229mm, so sized to fit a black or silver Fender Champ. All recessed hardware, nice butterfly latches, excellent casters, two of which are...
Sunburst, sometimes describing condition is best left to the photos before you tout a guitars virtues. Sun faded top? Yes. Repaired cracks? Yes. We can’t fool you but all the cracks have been addressed. Are those capo...
Black, with P-90 pickups, still Chicago-made. Willie’s was one of the largest Hamer dealers in this era. These had a clever three-piece neck with the grain from the two outside pieces going in opposite directions...
Cherry, mahogany body, short 30.5” scale, unbound rosewood fretboard with dot inlays, nice rounded neck profile, two humbucking pickups, two volume and one master tone control, this has been played and shows playing...
Silverface era, massively oversized as was the style at the time for Fender extension cabinets, most notably seen in the Beatles “Let it Be” sessions, although somewhere there’s photos of Jimi Hendrix onstage with some...
All-tube head made in England. Very clean and original including its Drake transformers. So, a Park Model 1206 is essentially a Marshall Model 2204 (the great 50-watt EL34 master volume circuit designed by Steve...
EX++, with hangtags. These are so cool. Ask Robert Fripp, Peter Frampton, Keith Richards, or Jimmy Page. This is one of the cleanest you will ever find. Lovingly cared for for 40 years. Look at the gold hardware that is...
Head only. Late “blackface” 50-watt tube amplifier, sounds great for bass but is most famous as an aggressive but articulate guitar amp. AB165 per the tube chart, solid-state rectifier, a pair of 6L6 output tubes, two...
Very clean, all-original, and plays great, frets in very good condition, 7.25” radius. “Crafted in Japan”, could be either Fujigen or Dyna Gakki in 1995, basswood body with the lovely Blue Floral pattern on the top,...
Recent production, very clean and all-original. 22 watts from a pair of 6V6s, all-tube preamp, tube rectifier, 1×12″ Celestion V-Type loudspeaker, tube-driven spring reverb and tube-driven tremolo, 2 channels, classic...
With original 2x12” Oxfords. These solid pine are famously right and resonant. Plus, the tilt-back legs are downright nifty on stage. All stock with newer cover. Hard to find. Local pickup only.
One of the more versatile and useful small heads of the last few decades, the THD UniValve is a single-ended amp that will take any octal-base output tube without rebiasing which, coupled with the integral...
Blackface, clean and original save for new grille cloth and upgrade 3-prong mains cable, and still with its original and functional piggyback mounting hardware. 50 watts from a pair of 6V6s, 12AX7 preamp, solid-state...
Jumbo flattop, Chicago-made, lacquer finish, recent neck set so plays and sounds great, spruce top with laminate mahogany back and sides. 17” lower bout, tortoise guard, ladder-braced but that doesn’t seem to hurt the...
This one came from the original owners family in southern Colorado. It was a working musicians amp, and it shows the use from lots of performances.. the real version of relic'd guitars! Harvard’s are very desirable...
This is a 1964 Fender Reverb Tank Unit in Brown Tolex that has been painted black. Back in the 1960’s, when the Black Tolex amps came out, musicians wanted to stay current, and some painted their amp tolex from brown to...