Taylor Next-Gen 854ce Grand Auditorium 12-String Acoustic-Electric Guitar - Rosewood/Sitka

Grand Auditorium Body: Taylor's most popular and versatile body shape, the mid-size Grand Auditorium arrived in 1994 bearing refined proportions that fell between a Dreadnought and Grand Concert. While the bigger Dreadnought was traditionally considered a flatpicker’s guitar and the smaller Grand Concert catered to fingerstylists, the GA was designed to deliver on both fronts. The shape produced an original acoustic voice that was big enough to handle medium-strength picking and strumming, yet with impressive balance across the tonal spectrum, especially in the midrange, producing clear, well-defined notes that suited both strumming and fingerstyle playing. The GA’s overall presence tracks well with other instruments both in a studio mix and on stage, and singer-songwriters have embraced its utility both for composing and traveling with one guitar. Many people want a single guitar that can cover a variety of styles, which is why the GA continues to be Taylor's bestselling shape. If you want a great all-purpose guitar, the multi-dimensional GA won’t let you down.

Grand Auditorium Body Specifications: Body Length: 20" / Body Width: 16" / Body Depth: 4 5/8"

Indian Rosewood Body Wood: Indian rosewood’s sweeping frequency range at both ends of the tonal spectrum has made it one of the most popular and musically rich tonewoods. Its deep lows can assert a throaty growl, while bright, sparkling treble notes ring out with bell-like, high-fidelity clarity.

Origin: India

Sound: One of the most popular and traditional guitar woods of all time, rosewood takes the basic sonic thumbprint of mahogany (which has a strong midrange) and expands it in both directions. Rosewood sounds deeper in the low end and brighter on the top end (one might describe the treble notes as zesty, sparkly or sizzly, with more articulation). If you look at its frequency range visually, rosewood would appear to be more scooped in the middle, yielding less midrange bloom than mahogany. Like mahogany, rosewood’s vintage heritage has helped firmly establish its acoustic legacy. It’s a great sound in part because Taylor knows that sound. In some music circles in which preserving the traditional sound helps bring a sense of authenticity to the music — certain strains of Americana, for example — rosewood has an iconic status. Also like mahogany, rosewood is a versatile tonewood, which has contributed to its popularity. One can fingerpick it, strum it and flatpick it. It’s very consistent, so players can usually rely on it to deliver.

Goes Well With: Most applications. If you like a guitar with fuller low end and brighter treble (bluegrassers, for instance), rosewood will do the trick. Its high-end sizzle and clear articulation will benefit players with “dark hands”. If you’re looking for a traditional acoustic sound, a rosewood Dreadnought or Grand Auditorium is right up your alley.

Long-Tenon Neck Joint: Taylor's proprietary long-tenon design features a tenon that protrudes beyond the neck heel and extends deeper into a precision-routed pocket in the body’s neck block. This changes the wood coupling in a way that’s comparable to traditional guitar necks. The long tenon increases the stiffness of the heel, which translates into more low-end resonance and a deeper, warmer, more open sound.

Instant Action Control: The Action Control Neck refines the micro-adjustability of Taylor's standard neck design with a new shimless design that allows a player to make easy, quick micro-adjustments to dial in the string height for any situation. You don’t have to remove the neck or even the strings.

Sitka Spruce Top Wood: As a guitar soundboard, or top, Sitka spruce is the tonewood standard of the modern era. It’s used on 85-90 percent of the guitars that Taylor makes. Its combination of strength and elasticity translates into a broad dynamic range, yielding crisp articulation and allowing for everything from aggressive strumming and flatpicking to fingerpicking. Sitka spruce is Bob Taylor’s personal favorite for an all-around great guitar.

Origin: Canada

Goes Well With: All styles of guitars and players.

Claria™ Pickup System: Taylor's Claria™ System combines a reimagined under-saddle piezo pickup with a proprietary preamp. Designed to deliver easy plug-and-play acoustic sound in any setting, it was refined alongside live sound engineers, guitar players, and recording professionals in real-world settings over several years. Crafted for reliability and versatility, Claria™ delivers clear, natural sound and features a wide range of tone-shaping control, making it easy to dial in old-school lo-fi warmth, pristine modern detail, and everything in between. Taylor's designers talk about Claria’s™ development and why it will appeal to players.

Claria™ Controls: Volume, Mid Contour & Tone:Central to the Claria™ System design are the simple tone-shaping controls featuring three knobs located discretely in the soundhole: Volume, Mid Contour and Tone. Watch and discover how you can unlock a sweeping range of acoustic sounds with simple tweaks, allowing you to plug in and play with the amplified tone you want in any scenario.

Venetian Cutaway: The Venetian cutaway is known for its soft, round lines. The sloping peak of the cutaway will vary depending on the shape of the body. The Grand Concert and Grand Auditorium have a steeper slope, while the Dreadnought is a bit flatter. Taylor's Grand Concert nylon-string models also feature a subtle, flatter slope, while Taylor's 200 Series cutaway models incorporate their flattest slope.

V-Class Bracing: Taylor's patented V-Class bracing is a revolutionary new pattern — a new sonic engine — that marks a major shift away from traditional steel-string bracing patterns. By allowing the soundboard to flex naturally while maintaining rigidity along the center (in the direction of the strings), V-Class helps enhance the volume and sustain. It also creates a more orderly response from the soundboard. Up and down the fretboard, notes are full, true and consistent, with more harmonic agreement. It represents an entirely new design platform that can be adapted to different body styles in different ways to infuse each with a unique sonic personality.

General

• Number of Strings: 12 String


• Orientation: Right Handed


• Body Shape: Grand Auditorium


• Bracing System: V-Class Bracing


• Cutaway: Venetian Cutaway


• Color: Natural


• Electronics: Claria™ Pickup System


• Case/Bag: Taylor Deluxe Hardshell Brown

Body

• Top Wood: Sitka Spruce


• Back/Side Wood: Indian Rosewood


• Rosette: Green Abalone Single Ring


• Back Configuration: 2-piece No Wedge


• Body Binding: Pale Non-Figured Maple


• Armrest: Radius Indian Rosewood


• Top Finish: Gloss


• Back/Side Finish: Gloss

Neck

• Neck Wood: Neo-Tropical Mahogany


• Fretboard Wood: West African Crelicam Ebony


• Neck Profile: Standard Carve


• Fretboard Inlay: Mother-of-Pearl Element


• Fretboard Binding: West African Crelicam Ebony


• Neck Finish: Satin

Peghead

• Nut Width: 1-7/8"


• Peghead Veneer Wood: West African Crelicam Ebony


• Scale Length: 25-1/2"


• Peghead Inlay: Mother-of-Pearl Element


• Peghead Type: Paddle


• Peghead Binding: West African Crelicam Ebony


• Peghead Finish: Gloss

Other

• Bridge: West African Crelicam Ebony


• Nut & Saddle: Black Tusq Nut, White Micarta Saddle


• Bridge Pins: West African Crelicam Ebony with Green Abalone Dots


• Strings: D'Addario XS Coated Phosphor Bronze Light (.010 - .047)


• Pickguard: Indian Rosewood


• Tuners: Taylor Smoked Nickel with Smoked Nickel Buttons


• Strap Pin: Black


• End Pin: Black