Natural, 000 sized model features: solid mahogany top, back and sides, rosewood fingerboard with abalone diamond and short square short pattern inlays, 1 11/16” at the nut, modified low oval neck profile, non-scalloped...
Natural, 24.9” scale, new and improved for 2018 featuring a spruce top with bold herringbone trim and aging toner, rosewood back and sides, dovetail neck joint, ebony fingerboard with diamond and square long pattern...
Mahogany over mahogany. What a great sound...midrange for days. 24.9" scale, 1 11/16" nut width. X braced. Records incredibly well, present but without needing excessive corrective eq. Everyone should have a mahogany...
Natural Mahogany, one of the cleanest pre ’65 Epiphones we’ve had. The mahogany finish just shines. There are a few finish checks but no cracks, buckle or neck wear. It’s clean. Has a nice bigger neck profile with a 1...
Clean with just some minor (arguably kind of cool) arm wear, no breaks, lovely Honey Burst nitrocellulose lacquer finish, AAA flamed maple with nice wide grain. Decent weight, very comfortable neck profile, responsive...
Cherry Sunburst - and it’s the full late 1970s Norlin treatment - every continuous surface of the guitar other than the bound ebony fingerboard is bursted. No breaks, and lighter than is typical of ‘70s Customs....
Faded Dakota Red, a great looking finish reminiscent of some 80’s Fender colors. The alder body is sorted for light weight and comes in at a very reasonable 9.5 lbs, so your shoulder won’t file a complaint after the...
Natural, refinished long ago. Has had a recent neck reset. These have become very sought after guitars. They are 14 3/4” wide, 25” scale and a single layer of binding on the top. Honestly we’re guessing the date on...
Sonic Blue, a well done refin, with the original green guard and pearl dots, L plate and original bridge. We had Lindy Fralin rewind the middle pickup to match the other two original pickups, which meter at 6.82k on the...
Black, maple neck and fretboard, with Fender Custom Shop Nocaster pickups installed. Cool old Teles are increasingly hard to find. This one is in original black with a cool detail. Under some paint chips you can see...
McCarty Burst, this model was designed by Ted McCarty the President of Gibson during their Golden Era. The guy that really designed the Les Paul, rethinks the Les Paul. They use Big Leaf Michigan Maple for the tops. Its...
Sunburst, rosewood fretboard, refretted (you’re welcome), with a gorgeous ash body and rare rosewood board. Plays and sounds great with great sustain and remarkably good pickups. The body looks like a one piece but on...
Natural, with a recent neck reset and replaced bridge (the original is included) Also a bit of binding reglued on the back by the strap button. You’ve saved $800. It’s really set up well and sounds great. It was played...
Cherry, VG++, big neck, nickel hardware, 1 11/16” nut width. Yeow! A vintage classic for about the price of an average tenor saxophone. Two items to note. The original Schaller tuners were replaced with repro Klusons...
Mapleglo, bound rosewood board with full length triangular inlays, dual 4003 pickups, two volume and two tone controls, vintage pull tone switch, ric-o-sound, great looking 4003 in classic Mapleglo, comes with a new...
Natural, excellent condition. An American made classic, the Style 2 is the one Martin to own if you only own one uke. In the middle of the lineup with premium woods and white body binding. This 14 year old Martin sounds...
Natural, Brazilian Rosewood, mint unsold condition from the original dealer who never sold it. This one is #46 of only 66 made. Maybe you’ve heard of Project 91? Martin is replicating the 91 original pre-war D-45’s....
Sunburst, Gibsons first thin line model was the ES-225T or double pickup 225TD. The factory offered this with the fancy pearl inlaid logo and a deluxe bound neck along with the individual Kluson tuners and not the...
Natural, EX-, the LG-3 was the professional model above the LG-2 Gibson used higher grade wood for natural finished guitars and the LG-3 had extra trim with three layers of binding. ’56 is a transitional year as they...
Tweed-era, VG++. The tweed is aged, the logo gone, but the amp is all there with original Jensen gold-frame 10” speaker dated the 18th week of 1960. Plus has footswitch for tremolo. A bit more headroom that a ‘60s...
Jetglo, double bound body like the pre-1965 360 models, aka the Harrison model, bound rosewood fretboard with full length triangular inlays. It plays great and it’s in great shape, just a couple of scratches on back....
Sitka Spruce, Honduran Mahogany back and sides, 25.375” scale length, just in used model, sounds fantastic with a huge low end, 1 11/16” at the nut, Nickel Waverly tuners with ivoroid buttons. Awesome guitar In pretty...
Tail logo era, hand wired and clean with the original 12” Oxford speaker dated the 47th week of 1970. This is point to point wired with a floating baffle, tail logo and original GE 6V6 power tubes. Juicy creamy classic...
Natural, EX-, A gorgeous book matched Brazilian Rosewood back and sides with a chain link back strip. This is an early ’58 so has nickel Kluson tuners and a tortoise pickguard. Looks to be the original bridge but was...
These are proof that Fender can make them like they used to. This needs no introduction. It’s light, plenty loud for 80% of gigs these days and really touch sensitive. In pretty much mint condition with all of the...
Natural, in a cool 50’s style tobacco finish with an equally cool pickguard. As you know these are really J-45’s made in the same factory with Gibson’s classic formula of mahogany body and neck with a Sitka Spruce top....
In factory Cherry finish, faded on the front to a more walnut shade. Good condition overall, professionally repaired headstock crack, one changed tuner, otherwise all-original including “tarback” humbuckers, “harmonica...
Natural, 25.4” scale, another masterpiece from our friend Terry Kennedy. This really sounds fantastic. Terry is a modern builder who uses double sides to create a balanced attack and clear tone. This one has a Lutz...
Blue Burst, M 0000 size body, 25. 4” scale, This is one of only 1111 designed by Martin President and CEO Thomas Ripsam. Sounds and looks amazing and features: European Spruce top, White Oak back and sides, factory...
Black, EX-. Look at this guitar. It has a vibe with the yellowed plastic and binding. This was an interesting era for Gibson as in 1976 Gibson started making solid body guitars in the new Nashville factory. Kalamazoo...