GIBSON Les Paul Custom, 1958, black, 2 PAFs but the middle pickup has been removed and lost and now a black plastic covers the route there, no serial number and no apparent reason that the neck was refinished but we...
GIBSON Les Paul Custom, 1958, black, 2 PAFs but the middle pickup has been removed and lost and now a black plastic covers the route there, no serial number and no apparent reason that the neck was refinished but we...
GIBSON Les Paul Junior, 1955, Sunburst, single cutaway with 1 P-90 at the bridge, original tuners have weak plastic buttons so repro tuners are on now, top is beautiful and the back shows wear, fine playability, exc,...
MARTIN D-18, 1944, Scalloped bracing, Ebony board, newer drip-in-saddle bridge, a couple of small repaired top cracks, Grover tuners added, a few side and back repaired cracks, recent fret job and neck set, the bridge...
GIBSON Les Paul Standard, 1969, Goldtop, 9.87 lbs, all original with 2 P-90s, Tun-o-matic bridge and stop tailpiece, 1-piece neck, no volute or 'Made in USA", 1-piece body, exc, ohsc...$15,900
GIBSON Les Paul Standard, 1969, Goldtop, 9.87 lbs, all original with 2 P-90s, Tunomatic bridge and stop tailpiece, very similar to a '68 with a 1-piece body, 1-piece neck, no volute or 'Made in USA" stamp, it just...
GIBSON SJ-200, 1952, Sunburst, all original other than a perfect re-fret with the right small size frets, all original inside, has some pickwear at the bridge/pickguard/sounhole nexus, 1 11/16" at the nut, 25 1/4"...
FENDER Precision Bass, 1958, body refinished natural, Maple neck with newer vintage size frets, original split pickup with Hi "A" pole pieces, peghead refinished too w/ new decal, original Anodized pick guard, neck...
FENDER Jazz Bass, 1965, Lake Placid Blue, all original, Rosewood board with dot inlays and no binding, the neck is dated Nov 65, the pots are 6th week of '66, a few marks on the face and some belt buckle wear on the...
FENDER Telecaster, 1952, Butterscotch, Black guard, other than the decal probably replaced maybe 25 years ago everything else is original including frets, no repairs or touchups, 7.37 lbs, Nacho Banos' Black Guard book...
FENDER Jazzmaster, 1959, Olympic White and looks blonde, Anodized guard, once had Schaller tuners, now has the originals re-installed, vgc+, ohsc.....$18,500
MARTIN 0-21, 1931, other than a small repaired top crack this guitar is original and intact, Brazilian Rosewood back and sides, Adirondack Spruce top, Ebony board, exc, hsc..$10,500
FENDER Stratocaster, 1965, sunburst, transition decal, pearl dots, white guard, new nut and a couple of ground wires changed but everything else is original, vgc+, ohsc.....$22,950
LARSON BROTHERS Euphonon Jumbo, ca 1930, 16" across like a J-185, refinished sunburst, built by the Larson Brothers, Abalone trimmed top, Abalone rosette, fancy pearl fingerboard inlays, laminated X bracing, 6...
GIBSON L-5C, 1962, sunburst, sharp cutaway, McCarty pickup/pickguard, 1 11/16" at the nut, fairly slim neck profile, finish may have been redone, a very rare model, vgc+, hsc...$12,500, reduced..$10,500
GIBSON Thunderbird 4 Bass, 1966, sunburst, 2 pickups, has the rare mutes still attached to the bridge, one dot inlay missing- we'll replace it, 8.85 lbs, no breaks, has some lacquer checking, vgc, ohsc.......$12,000,...
1966 Fender Stratocaster Sunburst, rare "A" size ( thin at the nut) neck, Rosewood board, large peghead with transition logo, neck dated Dec. '65, all original, ohsc, $14,950
D'ANGELICO EXCEL, 1960, sunburst, 17" Excel Cutaway, 7 ply body binding, 3 ply ƒ hole binding, Ebony squared off board with block inlays, Johnny Smith style floating pickup at neck, repaired crack north of the bass ƒ...
GIBSON Les Paul Special, 1960, Cherry, 2 P-90s, neck pickup about an inch from the end of fingerboard, vibrant cherry, slim but not too slim neck profile, many small dings and dents and a little bit of plastic strap...
MARTIN F-9S, 1936, Martin's largest and finest archtop with flat top "42" style conversion by none other than John Monteleone in 1975, the "S" designation signified "Guitar Outfit for Convention Display" and according...
One of the most amazing guitars ever, a true classic that does what it's supposed to do- the loudest rythm guitar you'll probably ever hear AND the most beautiful!