Close to Mint Spruce and Mahogany (of course! It's a D-18) Here is a fine example of a legendary model. Condition is excellent although the action is high, fine for rhythm but could use a reset for most other players....
Close to Mint Spruce and Mahogany (of course! It's a D-18) Here is a fine example of a legendary model. Condition is excellent although the action is high, fine for rhythm but could use a reset for most other players....
Fabulous Condition Earliest Version This is an early version, without the fretboard binding and with the shallower neck angle. The pickups are the original PAFs; the bridge pu has been rewound by Seymore Duncan,...
An Early Example with Scalloped Braces Very Low Action No Cracks and all Original A very fine early J-185, it's been played a lot and has tons of the typical Gibson finish crazing on the neck, top and sides. The finish...
All Original Parts Original Case Neck Refin Here is a very fine early Tele in very good shape, all original parts, with the original white finish. Interior body cavity markings are all present and correct for 1956. Neck...
A fine example, in excellent condition and playability, except for a number of deep dings in the back of the neck from improper use of an old-fashioned capo.
Here we have the earlier version of the model, which was Gretsch's intended competition with Gibson's top of the line L-5 CES. It was considered the premier professional archtop electric of its era and is said to have...
The nicest one, most likely a S-400 body used by Gibson in 1955 to fill an order for a 300 when there were no 300 bodies available, indicated by the 3 layer soundhole and body binding and gorgeous wood that's too good...
A fine example of the quintessential Martin power box, their best known model. The fifties dreadnaughts are known for their precise note and projection with much clarity and power, whereas earlier scalloped braced...