Natural, another brilliantly hand carved mandola from old reclaimed woods. Note the high arch of the scroll top and how it lines up with the pickguard. Sounds as amazing as it looks. Sorry, no case.

Cherry on mahogany body, nice and light at 7.5 pounds, bound rosewood fretboard with dot inalys, dual P-100 pickups, two volume and two tone controls, in good shape, no breaks or repairs, shows some surface playing...

Cherry Red, heavily faded. Had a recent neck reset so it plays very well and you save $450 for the repair. These were a mainstay guitar in the 70’s as Gibson acoustics of the era had double X braces and it wasn’t...

Cherry Sunburst, these are rather rare with factory original pickups and they have a nice vibe. Has a two piece maple top over a mahogany body and unlike most Les Paul Studios has a see through finish so you can see the...

Cherry Sunburst with a beautiful flame maple top. This was converted to nickel parts and has a set of Seymour Duncan Slash pickups. Also has a repaired headstock. These are Alnico II pickups with a hotter wind. They are...

Silver Metal Flake, a very hard finish to do. Looks to be a Fender neck with a slab rosewood fretboard and C neck profile. Has a Bigsby tremolo too. The neck pickup is an SCN Noiseless Tele pickup, the bridge pickup is...

Midnight Blue, a rather hard to find 335 variant. Imagine if someone at Gibson played in a punk rock band and designed a 335. Who needs F holes? Still has a semi-hollow laminate maple body but black binding and black...

Makena Blue, unbound rosewood fretboard with abalone bird inlays, wide/fat neck profile, ‘57/’08 treble and bass pickups, single volume and tone control, 5 way pickup selector, beautiful finish, shows some light playing...

Natural, solid mahogany top back and sides, rosewood fingerboard with abalone diamond and square short pattern inlays, 1 11/16” at nut, modified low oval neck profile, non scalloped 5/16” top bracing, nickel open back...

Sunburst, just in used model. In good shape with no cracks and some light playing wear. There is just something about the directness of the 14 fret 00. When you have Adi over mahogany, even more so. Ebony board and...

Natural, this was played and played and has a repaired headstock, a rectangular patch by the strap button, a repaired seam crack and a repaired crack at the arm rest area. Oddly, after decades of gigs it has no strap...

Three Color Sunburst, double bound body. A nice light cool looking MIJ Telecaster with upgrades. They include Custom Shop Twisted Tele pickups, new tuners, new pots and a new bridge. The serial number was on the old...

Ebony, maple top on mahogany body, bound rosewood board with trapezoid inlays, cool used model with stock Burstbucker 61R and 61T pickups and four push pull pots for coil tapping, phase switching. In good shape, no...

Very clean, all-original, and plays great, frets in very good condition, 7.25” radius. “Crafted in Japan”, could be either Fujigen or Dyna Gakki in 1995, basswood body with the lovely Blue Floral pattern on the top,...

Sinker Mahogany top, back and sides with Madagascar rosewood binding, concert uke celebrates 100 years of Martin concert ukes. East Indian rosewood fingerboard with MOP dot inlays, 1 13/32” nut width, nickel Waverly...

Natural, 000 sized model features: solid mahogany top, back and sides, rosewood fingerboard with abalone diamond and short square short pattern inlays, 1 11/16” at the nut, modified low oval neck profile, non-scalloped...

Mahogany over mahogany. What a great sound...midrange for days. 24.9" scale, 1 11/16" nut width. X braced. Records incredibly well, present but without needing excessive corrective eq. Everyone should have a mahogany...

Natural Mahogany, one of the cleanest pre ’65 Epiphones we’ve had. The mahogany finish just shines. There are a few finish checks but no cracks, buckle or neck wear. It’s clean. Has a nice bigger neck profile with a 1...

Clean with just some minor (arguably kind of cool) arm wear, no breaks, lovely Honey Burst nitrocellulose lacquer finish, AAA flamed maple with nice wide grain. Decent weight, very comfortable neck profile, responsive...

McCarty Burst, this model was designed by Ted McCarty the President of Gibson during their Golden Era. The guy that really designed the Les Paul, rethinks the Les Paul. They use Big Leaf Michigan Maple for the tops. Its...

Natural, with a recent neck reset and replaced bridge (the original is included) Also a bit of binding reglued on the back by the strap button. You’ve saved $800. It’s really set up well and sounds great. It was played...

Mapleglo, bound rosewood board with full length triangular inlays, dual 4003 pickups, two volume and two tone controls, vintage pull tone switch, ric-o-sound, great looking 4003 in classic Mapleglo, comes with a new...

Tweed-era, VG++. The tweed is aged, the logo gone, but the amp is all there with original Jensen gold-frame 10” speaker dated the 18th week of 1960. Plus has footswitch for tremolo. A bit more headroom that a ‘60s...

These are proof that Fender can make them like they used to. This needs no introduction. It’s light, plenty loud for 80% of gigs these days and really touch sensitive. In pretty much mint condition with all of the...

10 string, pedal steel. Maple body in a faded Cherry stain transparent finish. Made in Nashville with three pedals and one knee lever. The perfect guitar to start your pedal steel journey. In great condition with the...

Natural, Spruce top with flamed koa back, sides and neck with ivoroid bound ebony fingerboard and unique block inlays. Rosewood headstock plate with pearl logo and unique inlay. Also has an ebony bridge with a tall bone...

Burgundy, 6 watts with master volume. These were hand wired UK made and highly regarded. A factory fire in 2013 ended UK production. This one is EL-84 powered, has a 12” Celestion G12M Greenback speaker, hand wound...

Jetglo, one of the classic Rickenbacker models, unbound rosewood fretboard with a good looking grain pattern, dual Hi-Gain pickups, two volume and two tone controls and one blend control, three way pickup selector,...

Natural, in great shape, used model with an added Baggs I-Beam pickup, satin finish, 25.4” scale, 12 frets to the body, solid mahogany top back and sides, rosewood fingerboard with dot inlays, no cracks or repairs, just...

With “cathedral” front. These are know as the Jeff Beck amp as he used these non-reverb Varsity models for club work (Jeff was very tight with Magnatone.) 15 watts with two EL84 power tubes, GZ34 rectifier, two 12AX7s...