Made by Gibsons USA custom shop. The original owner worked at Gibson and finished the guitar himself with lacquer. Has a mahogany body with light shaded top and darker back and sides. The neck is nicely rounded with a...

Amber on an ash body with medium aging, this one nails the broken-in look and feel right out of the case. The nitro lacquer lets the wood breathe, and at just 7.2 lbs, it’s very light and resonant. The maple neck...

Very clean, all-original save for replaced tuners (very nice Gotoh 510s in this instance.) Custom-ordered jumbo-bodied 6-string acoustic, AA Indian rosewood back and sides, premium Sitka spruce top, ebony fingerboard...

Natural, made by Bernie Ricco in Los Angeles. Bernardo Rico built acoustic guitars before he built electrics. He also made banjos, classical guitars and ukuleles…go figure. As you all know B.C. Rich electrics unique...

Sunburst, a copy of Nationals first single cone resonator with a steel body, flamed maple neck, rosewood fingerboard and sieve hole cover plate. Finished in a cool retro walnut to gold sunburst. National famously...

Vintage Burst, just in used model with very light playing wear, an excellent playing and sounding 335 from the Gibson custom shop. Features include hide glue construction, a bound rosewood fretboard with dot inlays,...

Natural Amber, mini jumbo cutaway body with highly flamed maple body and unique star inlays. The inlays are easy to read on a dark stage. It’s a rather gorgeous finish with lots of figuring in the wood. All solid woods,...

Blackface, pre-CBS “Fender Electric” non-reverb variant. AB763 on the tube chart with “ND” date code stamp indicating a manufacture date of April 1964. The 12” Jensen speaker dates to the third week of 1966 and is not...

Tweed, 5 watts, 8" speaker, looks reconed, new power cord, tube chart reads Jan. '62. More soon.

Tweed, 5 watts, super clean, 6” speaker, all original, Tube chart GG July ’57, everybody needs one of these diminutive giants in their collection.

Natural, Cutaway Grand Auditorium body, sounds great and in good shape too. Sitka Spruce top, East Indian Rosewood back and sides, ebony fingerboard with Element motif MOP inlays, 1 3/4” at the nut, V Class bracing,...

Natural, hard to find left handed model! 14-fret 00-size guitar, X-braced solid Sitka spruce top torrefied for maximum projection by Martin’s VTS technique, solid Indian Rosewood back and sides, 24.9″ scale length, 1...

Natural, a timeless classic and always Willie’s favorite. Spruce top, mahogany back and sides, unbound ebony fingerboard with style 18 dot inlays, 1 3/4” at nut, modified low oval profile with performing artist taper,...

Natural, Sitka Spruce top with bold herringbone trim, Indian Rosewood back and sides, unbound ebony fingerboard with abalone diamond and square inlays, 1 3/4” nut width, modified low oval neck profile with...

Natural, a timeless classic and always Willie’s favorite. Spruce top, mahogany back and sides, unbound ebony fingerboard with style 18 dot inlays, 1 ¾” at nut, modified low oval profile with performing artist taper,...

Natural, in excellent condition, with original electronics and staggered pole pickups. We bought this from the original owner who was very proud of it. It needed frets. Have you every refretted a 70’s maple board strat?...

Natural, we are told this was made by a builder in Canada. Whoever made this had great skill. We are told the original owner remembers it having been patterned after a 1964 and the wood used was from a Canadian...

Natural, Brazilian Rosewood back and sides, sent through our shop for a neck set and all open cracks repaired. There are many cracks on the back. Let’s count them. Ok, done, there are 9 cracks on the back, now repaired....

1987 Gibson L-4CES Natural, Solid Spruce top, these are rather rare but we remember selling this 5 years ago. Even then they were hard to find. An excellent choice for jazz or blues with the exact dimensions and scale...

Natural, these have a mix of modern and pre-war specs with an adjustable truss rod and drop in saddle. Then we have the vintage features of forward shifted scalloped X bracing and Adirondack braces. But wait…there’s...

Sunburst, just in used model. In good shape with no cracks and some light playing wear. There is just something about the directness of the 14 fret 00. When you have Adi over mahogany, even more so. Ebony board and...

Sunburst, that has faded nicely over the years, realistic-looking flame maple top looks great. Has a ’59 rounded neck profile that sits comfortably In your hand. Shows real light playing wear, nothing too serious. Has...

Sunburst, hollowbody archtop. Heritage builds guitars in the old Gibson factory in Kalamazoo with great pride. Not unlike the Gibson ES-175 these are fine guitars with similar tried and true construction, 16” wide, 24...

Olympic White, tortoise shell pickguard. Standard model with 24” scale. In excellent condition, a nice clean example with very few dings and scratches, no buckle rash or arm wear. The original frets are also in good...

Natural, VG, maple board, a very resonant ash body bass with finish checking, edge and guitar stand wear. Yet, the frets are in good shape. Just in from local legend Tom Vee (son of hit maker Bobby Vee). Tom has played...

1935 Sunburst, patterned after Eric Clapton’s famous unplugged Martin. Scalloped braced with 24.9” scale and 1 3/4” nut and modified V neck profile. Book-matched Indian rosewood, grained ivoroid binding with herringbone...

Designed in collaboration with Jeff Tweedy of Wilco and our old friend John "Woody" Woodland utilizing FSCA certified woods. Featuring a 25.4" scale length, mahogany sunburst finish on solid mahogany top back and sides,...

Natural, a new model 24.9” scale, 14 fret dreadnaught with the depth of a 000. Features a Spruce top, flamed Koa back and sides. More soon.

Natural, 24.9” scale, new and improved for 2018 featuring a spruce top with bold herringbone trim and aging toner, rosewood back and sides, dovetail neck joint, ebony fingerboard with diamond and square long pattern...

Cherry Sunburst - and it’s the full late 1970s Norlin treatment - every continuous surface of the guitar other than the bound ebony fingerboard is bursted. No breaks, and lighter than is typical of ‘70s Customs....