2013 JHS Charlie BrownSerial number 583An increasingly rare hand stamped version of the "Marshall in a box" pedal from JHS. In overall good condition, with some wear to the housing and fading of the stamps. Specifically...
2013 JHS Charlie BrownSerial number 583An increasingly rare hand stamped version of the "Marshall in a box" pedal from JHS. In overall good condition, with some wear to the housing and fading of the stamps. Specifically...
This JHS Morning Glory Overdrive V4 is a sparkly, treble boost-y overdrive with a lot of versatility that provokes classic Brit-era tones with some new updated features. Great for the overdrive connoisseur looking for...
The famous muffuletta sandwich is special – and delicious. Originating from Central Grocery Co. in New Orleans, and containing proprietary Italian olive salad and locally baked sesame bread, it's loaded with meats and...
In early 1984 BOSS released two strange new devices under the name “The Pocket Series”. One of those devices was the FA-1 FET Preamp and it quickly found its rightful place among the legends of tone when The Edge of U2...
The JHS Kilt V2 is an "Expandora style dirt box" that delivers a huge range of different dirt tones. Built around a core op-amp-based drive circuit, the Kilt offers toggles for cut/flat EQ control, along with a G1 and...
We call the Emperor an analog chorus/vibrato. That’s just because calling it a true analog chorus/pitch vibrato with tap tempo/waveform selection/rotary speaker simulation/true stereo output/and more pedal would have...
JHS Crayon Overdrive Pedal The JHS Pedals Colour Box is amazing. It's powerful, it's versatile, it sounds stunning as a guitar pedal or as a recording preamp, and sometimes...just sometimes...it's a bit too much for...
The JHS Pedals AT is Andy Timmons signature overdrive pedal that gives Andy his unmistakable lead and rhythm tone. Upon purchasing a JHS Angry Charlie in 2013, Andy began using it as his primary tone and soon after got...
Pink Floyd’s “Breathe,” Jimi Hendrix’s “Star Spangled Banner live at Woodstock 1969," and Robin Trower’s “Bridge of Sighs” cemented the sound of a photocell-based vibe effect as an electric guitar standard. The JHS...
In the late 1970's the overdrive pedal was arguably perfected when Japanese engineers designed the sound that we now know as the heart and soul of so many of our favorite artists, recordings and sounds. Players ranging...