square neck, German Silver fiddle edge body, sounds great, simple engraving,

mahogany top, excellent over-all condition, great little blues machine.

beautiful early 18+ " non-cut, refinished by Jimmy D'Aquisto, he also made the bridge. Big chords are in there, if you want to swing, this is your thing.

old style headstock, white DeArmond pickups, great guitar at a modest price, as played by Jerry Garcia, ,

small bodied, as used by Bill Wyman, these are very rare, plays great, this is the one you want

single mute, most Harrison features, ready for a Hard Day's Night

early model, soap bar style pickups, lightweight, you won't find a cleaner example, case is very cool,

very unusual resonator bass, long scale, pickup, ready for stage or studio,

fiberglass body, neck has a refin and headstock repair (I can't see it, but it's reported to me, so I'm passing along the condition report.) Very solid, well playing resonator,

traditional style, very lighter, play all night,

great model, with two pickup setups, nice full neck, short headstock,

just like Paul's but with neck binding, the case is rarely seen this clean, great vintage bass for less

light weight, wood body version of the classic Lucite model, nice figured maple top, wood bridge added,

great quality , as used by Neil Geraldo and Nancy Wilson,

round mahogany neck, steel body, finish is 95%, just some small edge wear, back of the neck has some playing wear (see photos), but the guitar plays great and sounds great

rare model with stereo and mono inputs, designed by Paul Barth, who would also have a hand in the development of Rickenbacker, you can see the influence on this model, body is refinished, but it's the best refin I've...

cute, light, plays like butter, one of the smallest necks I've ever played on a full size bass guitar, plays and sounds great

as used by Peter Tork and Davey Jones of the Monkees, very nice player, hard to find this nice

double cutaway Paul Bigsby Design, great player, stunning condition, historically interesting

uncommon semi-hollow model from America's finest flattop builder, two DeArmond pickups , single cutaway, factory vibrato, plays great, kind of rare

rare finish, more red like a 6119 , hump inlays, all original, tweed case shows wear, great little Rock & Roll machine

considered by many to be the first electric solidbody, round neck, Bakelite body and neck, large Horseshoe pickup, rare guitar, the case is not as nice as the guitar, very good investment

very rare, long scale bass, really as clean as I've ever seen, plays great, the case is also very clean

very nice original guitar, has had a neck reset, back of the neck is oversprayed, plays great,

the Duane Eddie model, "hump" inlay, DeArmond pickups, just like his, plays great,

small body, Kelvinator headstock, very clean, these are not easy to find

clean, but they all seems to be, if you don't like a Gibson or Fender, this is a guitar for you. All the silliness of a Messenger for so much less money. Even Mark Farner played one!

Korina wood body, Flying V logo (yes it's original), really nice, don't miss out getting the easiest of the three Korina guitars built in the original period.

O size Koa parlor guitar, nice little fingerstyle guitar, the neck seems to have originally been square. The neck is not cut down, may be a transplant, may be original, this one is a little mystery, but it is a cool...

these are kind of rare, very cool lap steel from the very early days, the horse shoe magnet pickup is very much like the Rickenbacher of the same period, but much more primitive. This ones for you Neil!