Aged nitrocellulose lacquer in warm and lovely Faded Cherry, which must be seen to be believed. The I-35 LC Vintage builds on the laminated-maple I-35 LC with features and construction designed to really capture the...

Natural, hard to find left handed model! 14-fret 00-size guitar, X-braced solid Sitka spruce top torrefied for maximum projection by Martin’s VTS technique, solid Indian Rosewood back and sides, 24.9″ scale length, 1...

Sunburst with a replacement top of old flamed maple. It’s refinished of course but with original aniline dye as used in late 50’s Les Pauls. You can see it around the edges of the top. We first saw this guitar about 25...

Natural, who doesn’t love a triple O made in the original Martin factory? Has a Sitka Spruce top, Brazilian Rosewood fingerboard and has been freshly refretted (you’re welcome). Also sports a recent neck reset. This 000...

Sunburst, VG+, neck and pots both dated 1971. A very resonant and long sustaining bass from the four bolt neck era. A nice rounded neck. We love Strat and Jazz bass necks from this era. The pickups are made by Ted Vig...

Midnight Blue, a rather hard to find 335 variant. Imagine if someone at Gibson played in a punk rock band and designed a 335. Who needs F holes? Still has a semi-hollow laminate maple body but black binding and black...

Makena Blue, unbound rosewood fretboard with abalone bird inlays, wide/fat neck profile, ‘57/’08 treble and bass pickups, single volume and tone control, 5 way pickup selector, beautiful finish, shows some light playing...

Natural, a timeless classic and always Willie’s favorite. Spruce top, mahogany back and sides, unbound ebony fingerboard with style 18 dot inlays, 1 3/4” at nut, modified low oval profile with performing artist taper,...

Natural, what an incredible sounding Dreadnaught! Huge tone, as close as you can get to a pre-war D-28 in sound, looks and feel. The aging is subtle and tasteful. Other features include hide glue construction,...

Natural, Sitka Spruce top with bold herringbone trim, Indian Rosewood back and sides, unbound ebony fingerboard with abalone diamond and square inlays, 1 3/4” nut width, modified low oval neck profile with...

Natural, a timeless classic and always Willie’s favorite. Spruce top, mahogany back and sides, unbound ebony fingerboard with style 18 dot inlays, 1 ¾” at nut, modified low oval profile with performing artist taper,...

Natural, solid mahogany top back and sides, rosewood fingerboard with abalone diamond and square short pattern inlays, 1 11/16” at nut, modified low oval neck profile, non scalloped 5/16” top bracing, nickel open back...

Natural, in excellent condition, with original electronics and staggered pole pickups. We bought this from the original owner who was very proud of it. It needed frets. Have you every refretted a 70’s maple board strat?...

Natural, we are told this was made by a builder in Canada. Whoever made this had great skill. We are told the original owner remembers it having been patterned after a 1964 and the wood used was from a Canadian...

Natural, Brazilian Rosewood back and sides, sent through our shop for a neck set and all open cracks repaired. There are many cracks on the back. Let’s count them. Ok, done, there are 9 cracks on the back, now repaired....

1935 Sunburst, a stunning new custom shop creation whose fantastic tone is matched only by its great looks. Let’s start with an Adirondack Spruce top on a 1935 Sunburst finish with eye popping abalone pearl trim. The...

Natural, 1963 might be the neck as its rounded and medium big with no V. It’s kind of the Goldilocks neck. Gibson made the Southern Jumbo in Sunburst but for about 10% more you got the same guitar with more choice woods...

1987 Gibson L-4CES Natural, Solid Spruce top, these are rather rare but we remember selling this 5 years ago. Even then they were hard to find. An excellent choice for jazz or blues with the exact dimensions and scale...

Natural with herringbone trim, Adirondack top, Indian rosewood back and sides, if you wanted to show a guitar player what a Collings guitar is like you might well pick a D2H (Indian Rosewood, Herringbone trim) as it has...

Natural, these have a mix of modern and pre-war specs with an adjustable truss rod and drop in saddle. Then we have the vintage features of forward shifted scalloped X bracing and Adirondack braces. But wait…there’s...

Sunburst, just in used model. In good shape with no cracks and some light playing wear. There is just something about the directness of the 14 fret 00. When you have Adi over mahogany, even more so. Ebony board and...

Polished Pumpkin finish, with Fender style headstock. Solid spruce top, Grand Concert 000 size. Has a recent neck reset. 25.4” scale, 1 3/4” nut width on a big neck, bound “b” grade Brazilian Rosewood fretboard with...

Natural, this was played and played and has a repaired headstock, a rectangular patch by the strap button, a repaired seam crack and a repaired crack at the arm rest area. Oddly, after decades of gigs it has no strap...

Sunburst, that has faded nicely over the years, realistic-looking flame maple top looks great. Has a ’59 rounded neck profile that sits comfortably In your hand. Shows real light playing wear, nothing too serious. Has...

Three Color Sunburst, double bound body. A nice light cool looking MIJ Telecaster with upgrades. They include Custom Shop Twisted Tele pickups, new tuners, new pots and a new bridge. The serial number was on the old...

Sunburst, hollowbody archtop. Heritage builds guitars in the old Gibson factory in Kalamazoo with great pride. Not unlike the Gibson ES-175 these are fine guitars with similar tried and true construction, 16” wide, 24...

Ebony, maple top on mahogany body, bound rosewood board with trapezoid inlays, cool used model with stock Burstbucker 61R and 61T pickups and four push pull pots for coil tapping, phase switching. In good shape, no...

Very clean, all-original, and plays great, frets in very good condition, 7.25” radius. “Crafted in Japan”, could be either Fujigen or Dyna Gakki in 1995, basswood body with the lovely Blue Floral pattern on the top,...

Olympic White, tortoise shell pickguard. Standard model with 24” scale. In excellent condition, a nice clean example with very few dings and scratches, no buckle rash or arm wear. The original frets are also in good...

Natural, VG, maple board, a very resonant ash body bass with finish checking, edge and guitar stand wear. Yet, the frets are in good shape. Just in from local legend Tom Vee (son of hit maker Bobby Vee). Tom has played...