The circa-1980 Electro-Harmonix Attack Decay is a sought after prize among vintage pedal aficionados. Originally called a Tape Reverse Simulator, it’s known for producing volume and reverse swells, backward tape sounds,...
The circa-1980 Electro-Harmonix Attack Decay is a sought after prize among vintage pedal aficionados. Originally called a Tape Reverse Simulator, it’s known for producing volume and reverse swells, backward tape sounds,...
Dimensional Chorus Is Back! The one and only Dimensional Chorus effect is back, in the BOSS DC-2W Dimension C Waza Pedal. Loaded with premium analog circuitry, the DC-2W not only nails the sound of the original DC-2...
We call the Emperor an analog chorus/vibrato. That’s just because calling it a true analog chorus/pitch vibrato with tap tempo/waveform selection/rotary speaker simulation/true stereo output/and more pedal would have...
JHS Crayon Overdrive Pedal The JHS Pedals Colour Box is amazing. It's powerful, it's versatile, it sounds stunning as a guitar pedal or as a recording preamp, and sometimes...just sometimes...it's a bit too much for...
The JHS Pedals AT is Andy Timmons signature overdrive pedal that gives Andy his unmistakable lead and rhythm tone. Upon purchasing a JHS Angry Charlie in 2013, Andy began using it as his primary tone and soon after got...
Pink Floyd’s “Breathe,” Jimi Hendrix’s “Star Spangled Banner live at Woodstock 1969," and Robin Trower’s “Bridge of Sighs” cemented the sound of a photocell-based vibe effect as an electric guitar standard. The JHS...
In the late 1970's the overdrive pedal was arguably perfected when Japanese engineers designed the sound that we now know as the heart and soul of so many of our favorite artists, recordings and sounds. Players ranging...
The new Flatiron Fuzz is a classic op-amp powered fuzz/distortion. With its late ‘70s style circuit and symmetrical hard clipping, it’s EHX’s take on the RAT2™ pedal. The Flatiron Fuzz is extremely versatile. At lower...
The all-analog circuitry of the Nano Battalion provides an amazing array of bass tones in a sturdy, compact package. A versatile MOSFET drive circuit that can deliver everything from subtle, light overdrive to fully...
The new Sovtek Deluxe Big Muff expands on the big, wooly sound or the original "tall font" Green Russian Big Muff with the addition of the Deluxe Big Muff’s advanced controls while paying homage to the Civil War Big...
Powered by Multi-Dimensional Processing technology (MDP), the TE-2 Tera Echo produces a dynamic new stereo ambience effect that goes far beyond traditional delay and reverb. Thanks to MDP, the TE-2 delivers an amazing...
Electro-Harmonix Oceans 11 Reverb. A super versatile and great sounding reverb pedal with a huge variety of options. The Oceans 11’s reverbs are: 1. HALL – the rich reverberant sound of a grand concert hall 2. SPRING –...
Electro-Harmonix has reissued the original Version 1 Big Muff and it’s dripping with vintage Electro-Harmonix DNA and tone. Dubbed the Triangle Big Muff because of the layout of its Volume, Sustain and Tone controls,...
Here's the Vibrophase™, a five-knob four-stage phaser that creates phase and vibrato nuances never heard before. Five knobs! Count 'em! Speed sweeps from maddeningly slow to puppy dog flippy, vibrato/phase sweeps from,...
The Silicon Fuzz Factory contains carefully selected silicon transistors that preserve the classic texture of the original germanium Fuzz Factory while providing temperature stabilization. This means that it can be used...
Moe's Guitars have joined the family of Factory Authorized Mad Professor Dealers. Please take a moment watch the video demonstration of this unique pedal. "Do not leave home without your tone." Moe A FUZZ PEDAL THAT IS...
The Janus is a true bypass, dual joystick controlled Tremolo/Fuzz pedal that allows you to create a landscape of distorted textures. Both the Tremolo and the Fuzz can be isolated and used alone, but can also be used...
The Descent was designed to create ambient textures of sound, from thick and endless hall reverbs to symphonic shimmers. The Descent is a three mode reverb system; hall, reverse, and shimmer. In each mode, the user has...
The Fathom is a feature-rich reverb with 4 different customized reverb algorithms to choose from. Easily go from tasteful, small room reverb to long, modulated trails dripping of ambient goodness. The toggle switch adds...
The Julia is a fully analog, feature-rich chorus/vibrato packed with a wide array of tonal landscapes begging to be explored. She is able to produce mild smooth chorus, to seasick vibrato and everywhere in between. With...
Dynamic, responsive, tube-like, and amp-like. Walrus Audio is extremely excited to announce the new 385 Overdrive that is boastfully responsible for all those adjectives. For decades now, guitarists in search of pure...
The Warhorn is a mid-range, transparent overdrive pedal that’s capable of punchy rhythm, to searing Texas Blues leads. For added versatility, the pedal features a toggle switch that provides two flavors of clipping. The...
Walrus cannot be more thrilled to release the Luminary Quad Octave Generator; the Luminary is a powerful polyphonic quad octave generator with features for creating inspiring symphonic gusts of sound. Operating on the...
The ARP-87 is a compact, feature-rich delay, packed with a large pallet of inspirational delay tones. Featuring four main algorithms, digital, analog, lo-fi, and slap back, the ARP-87 can cover some serious ground in...
The Voyager is a gain/preamp overdrive that boasts a full spectrum of tone from any setting on its simple set of controls. From its lowest to highest settings, the Voyager provides a uniquely superb amount of clarity to...
Designed for bass, a favorite for guitar, this incredibly sub-frequency-preserving unit will hold on to the lowest lows like no fuzz ever heard before. It features a gentle gate for silencing your instrument between...
A sub-heavy silicon fuzz with some new twists: An input impedance control (push/relax) that adjusts from passive pickupsto line level. It works very well for re-amping bass tracks that needto be fuzzed up after tracking...
The Channel 2 is derived from the second channel of our Super Duper 2-in-1 pedal. This is a small footprint pedal that covers the range from unity gain line buffer, to a light transparent overdrive. Think of it as the...
The Fuzzolo is a raging beast of a fuzz. We managed to squeeze this wild thing into a small box to save real estate on pedal boards, and because we could. The Fuzzolo has two controls: Volume (post gain), and Pulse...
A version of the Fuzz Factory. This variation features a three position mini toggle switch. Setting 1 is a standard Fuzz Factory, settings 2 and 3 introduce “low” and “lower” frequencies to manipulate, oscillate, and...