The GUNSHOT was designed to be the overdrive to beat all others. Sonically most overdrives can sound thin or lack a certain “something” when compared to a real valve amplifier. It’s an unfair comparison really, but it...

THE J is the second pedal in our “Analog amp emulator” series. This concept aims to capture what you hear from an amplifiers. I’ve been friends with Jesse Hoff for years, several years ago I cheekily suggested I’d like...

HEAVY WATER MKII is a creation designed to meet the requests we were receiving to release the Boost side of the DANE as a standalone pedal. So not one to disappoint, we went ahead and did just that….but in typical...

I feel like now more than ever, we need a bit more peace so how about peace squared. The Peace²keeper GE Low Gain Edition came from a want to take our loved low-mid gain overdrive, and make it even lower gain. We’ve...

HANAMI is a fuzz we feel is a natural successor sonically from where the BONEYARD left off. Rather than seeking to emulate anyone else’s circuits, HANAMI sits perfectly between the BONEYARD and the FALLOUT CLOUD. It is...

The SIX ZERO was designed to look back to the 1960s and forward to the 2024s and imagine what a new pedal could look and sound like now whilst operating with a fundamentally vintage sound at its core.To capture this...

Why ER-2 Block 2?When you design a pedal, it can take years to get it into production and because of the march of time you can be blindsided by a sudden obsolescence issue with parts. The ER-2 suffered this fate, in...

The WOPR is one of those pedals that started with an artist/friend wanting something to sound a bit different and elevate their sound beyond what we normally offer. Oli Brown (Oli Brown and the Dead Collective, formerly...

The FAT GENERAL MKII is an evolution of the critically acclaimed OTC-201 compressor. ThorpyFx and the original designer (Dan Coggins) have collaborated to deliver the next level of compression for guitarists. Unlike...

THE ELECTRIC LIGHTNING has two sides: a complex valve overdrive with 3 band Eq and a high headroom super clean boost on the right. The pedal is designed so that the boost runs into the valve overdrive side. This...

THE SCARLET TUNIC as an Analog amp emulator can work fantastically well with your exist- ing amp, your existing pedals and it integrates easily into your current rig. You can use it to create classic vintage amp sounds...

The FIELD MARSHAL is a MKII version of the Big Cheese fuzz. Smaller, louder and more tonally flexible than the original it sits perfectly on a modern pedalboard. The tonal flexibility is provided through a tonestack...

The BUNKER is a MKII version of the Brown source drive pedal. It is smaller, louder and more tonally flexible. The tonal flexibility is provided through a texture control that allows you to have whichever type of drive...

The PEACEKEEPER is a take on a low gain overdrive designed to suit all guitars and all amps whilst delivering the sweetest on the edge to crunch tones you have ever heard. Hyperbole aside, this pedal has some very...

I was asked to create the FALLOUT CLOUD by a number of vintage pedal enthusiasts I know. They were after a Triangle era style pedal that would work with a variety of guitars (Humbucker and singlecoil's including P90's)...

The DEEP OGGIN was designed as a collaboration with DAN COGGINS (Former LOVETONE Pedal designer) as his first modulation pedal design since his Lovetone pedal days. This fully Analog Chorus/Vibrato was designed from the...

The WARTHOG started off being designed to be the distortion to beat all others; however it ended up being so much more. Through minute tailoring of the circuit, the WARTHOG delivers the biggest range of tones of any...

The new Pulse Doppler Fader takes after the Lovetone Doppleganger. Designed in collaboration with Coggins, the Pulse Doppler combines analog phase shifting, vibrato, and tremolo with an extensive control set to create a...