Natural, who doesn’t love a triple O made in the original Martin factory? Has a Sitka Spruce top, Brazilian Rosewood fingerboard and has been freshly refretted (you’re welcome). Also sports a recent neck reset. This 000...

Natural, 000 sized model features: solid mahogany top, back and sides, rosewood fingerboard with abalone diamond and short square short pattern inlays, 1 11/16” at the nut, modified low oval neck profile, non-scalloped...

Mahogany over mahogany. What a great sound...midrange for days. 24.9" scale, 1 11/16" nut width. X braced. Records incredibly well, present but without needing excessive corrective eq. Everyone should have a mahogany...

Natural Mahogany, one of the cleanest pre ’65 Epiphones we’ve had. The mahogany finish just shines. There are a few finish checks but no cracks, buckle or neck wear. It’s clean. Has a nice bigger neck profile with a 1...

Natural, EX-, the LG-3 was the professional model above the LG-2 Gibson used higher grade wood for natural finished guitars and the LG-3 had extra trim with three layers of binding. ’56 is a transitional year as they...

These are proof that Fender can make them like they used to. This needs no introduction. It’s light, plenty loud for 80% of gigs these days and really touch sensitive. In pretty much mint condition with all of the...

Natural, Mahogany, in excellent condition, 9” wide with three layers of binding on top and back with Brazilian Rosewood fingerboard. The famous uke player Lyle Ritz was a Gibson tenor uke fan. Here at the store Willie...

Whiskey Sunset, 25.4” scale, satin finish, spruce top, mahogany back and sides, unbound rosewood fingerboard with dot inlays, 1 3/4” at nut, modified low oval neck profile with high-performance taper, scalloped X...

Cherry, EX++. Seriously clean with factory packing tissue in the original soft case. There are a few small dings on the front and some scratches on the back but the bridge is bright and untarnished the pole pieces still...