Sunburst, VG+, neck and pots both dated 1971. A very resonant and long sustaining bass from the four bolt neck era. A nice rounded neck. We love Strat and Jazz bass necks from this era. The pickups are made by Ted Vig...

Makena Blue, unbound rosewood fretboard with abalone bird inlays, wide/fat neck profile, ‘57/’08 treble and bass pickups, single volume and tone control, 5 way pickup selector, beautiful finish, shows some light playing...

Natural, a timeless classic and always Willie’s favorite. Spruce top, mahogany back and sides, unbound ebony fingerboard with style 18 dot inlays, 1 3/4” at nut, modified low oval profile with performing artist taper,...

Natural, what an incredible sounding Dreadnaught! Huge tone, as close as you can get to a pre-war D-28 in sound, looks and feel. The aging is subtle and tasteful. Other features include hide glue construction,...

Natural, Sitka Spruce top with bold herringbone trim, Indian Rosewood back and sides, unbound ebony fingerboard with abalone diamond and square inlays, 1 3/4” nut width, modified low oval neck profile with...

Natural, a timeless classic and always Willie’s favorite. Spruce top, mahogany back and sides, unbound ebony fingerboard with style 18 dot inlays, 1 ¾” at nut, modified low oval profile with performing artist taper,...

Natural, in excellent condition, with original electronics and staggered pole pickups. We bought this from the original owner who was very proud of it. It needed frets. Have you every refretted a 70’s maple board strat?...

1935 Sunburst, a stunning new custom shop creation whose fantastic tone is matched only by its great looks. Let’s start with an Adirondack Spruce top on a 1935 Sunburst finish with eye popping abalone pearl trim. The...

Natural, 1963 might be the neck as its rounded and medium big with no V. It’s kind of the Goldilocks neck. Gibson made the Southern Jumbo in Sunburst but for about 10% more you got the same guitar with more choice woods...

1987 Gibson L-4CES Natural, Solid Spruce top, these are rather rare but we remember selling this 5 years ago. Even then they were hard to find. An excellent choice for jazz or blues with the exact dimensions and scale...

Natural with herringbone trim, Adirondack top, Indian rosewood back and sides, if you wanted to show a guitar player what a Collings guitar is like you might well pick a D2H (Indian Rosewood, Herringbone trim) as it has...

Natural, these have a mix of modern and pre-war specs with an adjustable truss rod and drop in saddle. Then we have the vintage features of forward shifted scalloped X bracing and Adirondack braces. But wait…there’s...

Sunburst, just in used model. In good shape with no cracks and some light playing wear. There is just something about the directness of the 14 fret 00. When you have Adi over mahogany, even more so. Ebony board and...

Sunburst, that has faded nicely over the years, realistic-looking flame maple top looks great. Has a ’59 rounded neck profile that sits comfortably In your hand. Shows real light playing wear, nothing too serious. Has...

Sunburst, hollowbody archtop. Heritage builds guitars in the old Gibson factory in Kalamazoo with great pride. Not unlike the Gibson ES-175 these are fine guitars with similar tried and true construction, 16” wide, 24...

Ebony, maple top on mahogany body, bound rosewood board with trapezoid inlays, cool used model with stock Burstbucker 61R and 61T pickups and four push pull pots for coil tapping, phase switching. In good shape, no...

Olympic White, tortoise shell pickguard. Standard model with 24” scale. In excellent condition, a nice clean example with very few dings and scratches, no buckle rash or arm wear. The original frets are also in good...

Natural, VG, maple board, a very resonant ash body bass with finish checking, edge and guitar stand wear. Yet, the frets are in good shape. Just in from local legend Tom Vee (son of hit maker Bobby Vee). Tom has played...

1935 Sunburst, patterned after Eric Clapton’s famous unplugged Martin. Scalloped braced with 24.9” scale and 1 3/4” nut and modified V neck profile. Book-matched Indian rosewood, grained ivoroid binding with herringbone...

Designed in collaboration with Jeff Tweedy of Wilco and our old friend John "Woody" Woodland utilizing FSCA certified woods. Featuring a 25.4" scale length, mahogany sunburst finish on solid mahogany top back and sides,...

Just in more soon.

Natural, 24.9” scale, new and improved for 2018 featuring a spruce top with bold herringbone trim and aging toner, rosewood back and sides, dovetail neck joint, ebony fingerboard with diamond and square long pattern...

Faded Dakota Red, a great looking finish reminiscent of some 80’s Fender colors. The alder body is sorted for light weight and comes in at a very reasonable 9.5 lbs, so your shoulder won’t file a complaint after the...

McCarty Burst, this model was designed by Ted McCarty the President of Gibson during their Golden Era. The guy that really designed the Les Paul, rethinks the Les Paul. They use Big Leaf Michigan Maple for the tops. Its...

Natural, with a recent neck reset and replaced bridge (the original is included) Also a bit of binding reglued on the back by the strap button. You’ve saved $800. It’s really set up well and sounds great. It was played...

Cherry, VG++, big neck, nickel hardware, 1 11/16” nut width. Yeow! A vintage classic for about the price of an average tenor saxophone. Two items to note. The original Schaller tuners were replaced with repro Klusons...

Mapleglo, bound rosewood board with full length triangular inlays, dual 4003 pickups, two volume and two tone controls, vintage pull tone switch, ric-o-sound, great looking 4003 in classic Mapleglo, comes with a new...

Natural, Brazilian Rosewood, mint unsold condition from the original dealer who never sold it. This one is #46 of only 66 made. Maybe you’ve heard of Project 91? Martin is replicating the 91 original pre-war D-45’s....

Sunburst, Gibsons first thin line model was the ES-225T or double pickup 225TD. The factory offered this with the fancy pearl inlaid logo and a deluxe bound neck along with the individual Kluson tuners and not the...

Jetglo, double bound body like the pre-1965 360 models, aka the Harrison model, bound rosewood fretboard with full length triangular inlays. It plays great and it’s in great shape, just a couple of scratches on back....