square neck, German Silver fiddle edge body, sounds great, simple engraving,

sunburst finish, great player, all the British Invasion bands used them,

converted from a R-18, professional conversion, lightweight, sounds great,

great example of a wide neck 000-18, finish over sprayed, replaced fingerboard with snowflake inlay, sounds amazing, great value

Bigsby tailpiece, very cool MIJ model, plays and sounds great.

small bodied, as used by Bill Wyman, these are very rare, plays great, this is the one you want

Johnny Smith pickup, some very minor binding issues (see photos), great Jazz box for less

single mute, most Harrison features, ready for a Hard Day's Night

easy playing 12 string, get all that jingle-jangle with these mini-humbuckers

double cut-a-way, Kelvinator headstock, one of the cool ones, Bigsby

last of the great 60's Gibson flattops, pickguard is stabilized, but shows the typical deterioration, the bird is still pretty, sounds great, just like a rolling stone, maple back and sides show nice curl, 1 5/8 nut,...

round mahogany neck, steel body, finish is 95%, just some small edge wear, back of the neck has some playing wear (see photos), but the guitar plays great and sounds great

rare model with stereo and mono inputs, designed by Paul Barth, who would also have a hand in the development of Rickenbacker, you can see the influence on this model, body is refinished, but it's the best refin I've...

as used by John Lennon and George Harrison, this is a nice clean and ready to play example of the original electric acoustic, has the larger 65 1 11/16" nut

double cutaway Paul Bigsby Design, great player, stunning condition, historically interesting

unmarked, attributed to the Larson Brothers, fingerboard is replaced, two top crack repairs, side crack repair, Standard model with 12 3/4" lower bout, 24 5/8" scale, 12 frets to the body, plays great, sounds sweet,...

ultra rare model, wood square neck, priced to sell

two pickup, thin bodied, Beatle's era guitar, not so easy to find anymore,

early archtop model, banner logo, you don't see these often, 16" non cutaway, good prewar guitar

the Duane Eddie model, "hump" inlay, DeArmond pickups, just like his, plays great,

pre dates the Country Club, but really is the same model, two DeArmond pickups, very nice curl, great player, a Rock-a-Billy dream

textured like the bowl of an Ovation, this is a very cool and hard to find guitar, as used by Keith (Partridge) and Ace Frealy, missing a tone control, but works fine. as-is

single eArmond, very nice overall condition, great guitar priced around the same as a reissue

some light binding issues, but over all very nice

very early "Peanut" bodied model with 12 ftrets to the body, factory bridge, has lots of playing wear, but very nice guitar overall, great Johnson styling

clean, but they all seems to be, if you don't like a Gibson or Fender, this is a guitar for you. All the silliness of a Messenger for so much less money. Even Mark Farner played one!

bolt on neck, Floyd Rose, "Jesus Saves" airbrushed on he back, great Hair Metal fiddle, made in USA, the ultimate "pointy" guitar!

lots of finish wear on the back of the neck, body is clean, great player, light and right

snakehead, truss rod, some finish wear, but a good mandolin from the right period, the hardcase is modern.